Batá toques

In Afro-Cuban batá tradition there are a set of “meta-rhythms” or common toques that are not exclusive to a single Orisha but are shared, foundational grooves. These are often played at the beginning of ceremonies, for communal invocation, or as transitions.

Guerreros (Warriors)

• Eleguá – toque: La Topa (always first, opener of ceremonies)
• Ogún – toque: Ogún (heavy, iron/war)
• Ochosi – often shares Ogún’s toque or follows closely
• Osun – grouped with guerreros, but does not have a distinct toque

Thunder & Power

• Changó (Shangó)
  • toques: Aluyá, Chachalokefún (very distinctive, energetic)

Waters

• Yemayá – toque: Yemayá (rolling, flowing, ocean-like)
• Oshún – toque: Oshún (sweet, syncopated, river movement)

Death, Ancestors & Transformation

• Oyá – toque: Oyá (fast, swirling, winds/spirits)
• Obbá – sometimes shares elements with Oyá
• Babalú Ayé – toque: Babalú Ayé (solemn, healing, illness)

Wisdom & Purity

• Orula (Orunmila) – toque: Orula (linked to divination)
• Obatalá – toques: several stately versions (Obatalá Oba Moro, Alaró, etc.)

Others (depending on lineage)

• Agayú – toque: Agayú (earth-shaking, river crossing, volcano)
• Inle – toque: Inle (less universal, depends on house)
• Ibeji (Twins) – toque: Ibeji (playful, light)